湖塘006 the pond 006 数码版画 90x100cm 2017

在梁永钢的水墨画和油画中，这些传统的本质用一种新的方式被展现了出来。他在水墨画中展现了自然风光，让人通过画作联想到植物、自然的片段以及思考一些建筑相关的东西。观看者用视觉和联想去完善这个作品，也是画作的一部分。有趣的是，画上空白的区域并不是盲区，而是同样充满生机的构图方式。观看者容易产生这样的印象，好像图中表达的积极或消极都蕴藏了其它含义。这种空间的连续性说明，这幅画带来的心里感受远大于画面呈现出的视觉内容。梁永钢凝聚了中国水墨画传统的精华，并且将其推向现代风格。

德国柯布伦茨路德维希美术馆馆长

国际博物馆协会 德国分会主席

贝亚特 艾芬沙德教授

In Liang Yonggang‘s ink paintings and oil paintings， these traditional essences are revealed in a new expression。 He shows natural scenery in his ink paintings， making viewers think of plants， nature and something related to architecture。 The viewer uses vision and association to complete the work， which is also part of the painting。 Interestingly， the blank area is not a blind spot but an equally vibrant way of composition。 Viewers tend to have the impression that the positive or negative expressions in the painting have other meanings。 The continuity of this space shows that the deep feeling brought by this painting is far stronger than the visual content presented by the view。 Liang Yonggang’ art works condense the quintessence of Chinese traditional ink painting and express them in a modern style。

Professor Beate Reifenscheid