浅识绘画无意识状态下形成的义理

The Brief Talk on the Painting Theory When Under the State of Unconsciousness 

——记南海岩先生当下绘画艺术的小意

The Theory of Nan Haiyan on the Contemporary art

文/李洪伟

By Li Hongwei

南海岩先生是当代彩墨写实人物的开创者。他的绘画以彩墨写实写意为主，强化了视觉色彩的认识和笔墨语言，以一种独特的绘画语言方式响誉艺林。前些日子他创作了一幅《金色的原野》，在艺术界反响很大，但传来了阵阵唏嘘声，这种声音是疑惑？还是否定？抑或是惊叹？大概是各有不同。

Nan Haiyan is the inaugurator of contemporary color ink of realistic figure. His painting is mainly about the reality and it emphasizes on visual power and the importance of brush and ink ，building  his prestige by this unique method. Recently, he has painted The Gold Field which received a great number of echoes among artists, among which there are different of reactions, such as doubt, rejection and surprise.

这幅作品整体色调以墨、金黄、红色为主，表现的是休憩、闲逸劳作的场面，前景是一个逗孩子玩耍的中年妇女，中景是老人接过母亲手中的婴儿，表现慈爱的情景，背景是丰收劳作的场面，整体创作内容以金秋时节劳动的场面为基础，表现社会仁爱、仁慈、闲逸、安静、祥和与祖国繁荣昌盛同在的大主题，此画面内容充盈、主题鲜明、对比强烈，画面和谐，让人感觉到了中国艺术语言一问一答的表现形式，其内容没有肢解任何片段，微微的型体变化反而增加了创作者的精神内涵和文学素养，超出了形之外的艺术语言意义。但有人认为画中的前景人物形象有些大了，与中景和远景不协调，让人感觉不舒服，这几个不同形象不应该出现在同一画面，由此我有几点看法：

The work was painted mainly in ink, gold and red, showing us the easiness of farmer’s life. In the front, a middle- age woman is playing with a kid, behind them is an elder who is preparing to take the baby over the mother, which give us a sense of love. The background is based on the scene of harvest in the autumn. The painting is telling us some key elements, that is the love, kindness, silence and prosperity with the extraordinary skill in layout and contrast, which presents the special Chinese language of question and answer. Many people bear the doubt on the exaggerated figure in the foreground that the woman is too big compared with others in the painting. For this, I’d like to express my points of view:

一点、海岩先生是写实人物画家，早在99年就已入选九届美展荣获铜奖了，这个型不准的问题在创作期间早就应该看出来，为什么他不提出这个问题？还踏踏实实去画呢？我想只有一点就是他把这幅作品当成创作了，在找寻一种新的形式美或新的绘画语言。

First, Nan Haiyan is a realistic artist who won the third prize of the 9th art exhibition in 1999. At that time, why the problems like this didn’t appear? I think he was painting in a routine way but now he would like to do creative works and seek a path to a new form of art and language.