
管 勇
图像的意识
Guan Yong
Consciousness of the lmage
2026.9.24-11.7
白盒子艺术中心·二层展厅
Gallery, 2nd Floor, WhiteBox Art Center
在视觉艺术现象学的理论视域中,凝视从来不是单纯的视觉行为,而是主体与世界、意识与存在的深度交融的本体性互动。如果说现象学为我们提供了重返事物本身的感知方式,那么被称为具有现象学深度的视觉艺术,便是一种敏锐而深刻地感知世界的路径。梅洛‑庞蒂在《塞尚的疑惑》中转引塞尚自己的话:“风景在我身上思考自己,我是他的意识”,塞尚将自己描述为“风景的意识”。这种人与世界交互共存、彼此映照的内在关联,重构了人对自然、对世界的观看逻辑,也重塑了现代艺术的创作与审美方式。

管勇 Guan Yong,无题 Untitled, 布面油彩 Oil on Canvas, 50.2×70.1 cm, 2016-2025
管勇近期的艺术实践,承继了这一现象学式的眼光和观念,并以此展开对图像时代的“图像观看”的批判性反思。他从塞尚直面自然的肉身凝视,莫兰迪对物像的深度观看,延伸到数字时代,去思考“人如何观看一张图像”。在管勇看来,人类社会已然从自然文明、工业社会进入信息时代,图像成为我们今天必须要面对的现实。基于此,管勇选择以图像媒介为创作基底,通过反复主客交互式地凝视对象与绘画实践,深度挖掘图像内部所蕴含的象征意义和知觉结构,实现对“图像意识”的绘画性转译。如果说图像承载着物象与世界显现的意识,管勇的绘画则是对这种显现意识的再度觉知、对既定图像的二次改造。通过绘画,让图像所承载的事物存在本质与知觉结构向观者敞开。在媒介重构与意识回溯的双向互动中,绘画得以突破单纯的视觉再现,成为通往世界存在深处的精神载体。他以这种极具个人思辨性的创作,回应了当下数字时代的普遍视觉处境:泛滥的碎片化图像催生了浅层、滑动、惰性的观看习惯,消解了事物的深度意蕴与内在价值,也割裂了人的感知完整性和主体自觉性。管勇的现象学式观看与创作实践,正是对这种视觉浅表化困境的审美校正与精神救赎,重新唤醒人的专注力,和深度感知世界的能力。
(文章节选自《管勇:图像的意识》文/孙永增)

管勇 Guan Yong, 剪草者 A Grass cutter A, 布面油彩 Oil on Canvas, 50.1x60.1 cm, 2026
关于艺术家
About Artist

管勇 GUAN YONG
上下滑动预览 Swipe up and down to preview
1975年出生于山东,1998毕业于天津美术学院油画系,现工作生活于北京。作为中国70后的重要画家之一,他的绘画实践是从其个人化经验出发,围绕同一单纯的创作母题,长时间反复探索的结果。在这个漫长的实践过程中,情感、知觉、生理节奏、行为等偶发因素最终迫使其内在意识在画布上显形,进而创造出一个崭新的知觉结构。
重要个展:图像的意识,白盒子艺术中心,北京,中国(2026);深度无聊,本初纪画廊北京,中国(2026),内象派,魔金石空间,北京,中国(2019);介质空间,北京民生现代美术馆,北京,中国(2017);反讽-推翻的美学,In·ter alia·Art Company,首尔,韩国(2013);次生形态,新时代画廊,北京,中国(2012);谁的新时代,多伦现代美术馆,上海,中国(2007);管勇,新时代画廊,北京,中国(2007);幽默与经典,秦昊画廊,北京,中国(2003)。
部分群展包括:幽灵学:尚未消散的现实,本初纪画廊,北京,中国(2026);掩映.中日艺术交流展,東京画廊+BTAP,北京,中国(2022);绘画.触摸时代的精神脉搏,雅昌艺术中心,深圳,中国(2022);宇宙的明亮之眼,山德罗泰戈尔画廊,纽约,美国(2015);中国新锐绘画奖10周年邀请展,Hi艺术中心,北京,中国(2014);空间的性格,现实当代艺术研究中心,北京,中国(2013);证据,新时代画廊,北京,中国(2012);重新定义“70后”艺术中的质疑精神,今日美术馆,北京,中国(2011);灿烂的伦理学,In·ter alia·Art Company,首尔,韩国(2011);East/West: Visually Speaking,杰克威尔逊当代美术馆,弗罗里达,美国(2010);楼上的青年:2010青年批评家提名展,时代美术馆,北京,中国(2010);艺术是什么? 2010年度艺术家邀请展,时代美术馆,北京,中国(2010);未来天空:中国当代青年艺术家提名展,今日美术馆,北京,中国(2008);管勇·杨起,Felix Ringel Gallery,杜塞尔多夫,德国(2008);多元世代·固执己见,新时代画廊,北京/台湾,中国(2007);超验的中国,阿拉里奥画廊,北京,中国(2006);自我造局:2005中国当代绘画展,证大美术馆,上海,中国(2005);70后艺术,今日美术馆,北京,中国(2005);亚洲青年艺术展,Sungsan Art-hall,釜山,韩国(2004);少年心气—中国新锐绘画展,何香凝美术馆,深圳,中国(2004);第二届平遥国际摄影年展,平遥,山西,中国(2002)。
作品被北京民生现代美术馆、深圳何香凝美术馆、上海证大美术馆、汇丰 银行、香港侨福集团、北京 798 文化集团等国内外机构,及欧洲、亚洲、 美国、澳洲等地区重要私人藏家收藏。
Guan Yong, born in Shandong in 1975, 1998 Graduated from the Oil Painting Department of Tianjin Academy of Fine Arts, BFA. currently lives and works in Beijing. As one of the pivotal painters of China’s post-1970s generation, his practice originates from personal experience and represents a long-term, repetitive exploration revolving around a single, minimalist creative motif. Throughout this extended process, contingent factors such as emotion, perception, bodily rhythm, and bodily action ultimately bring his inner consciousness onto the canvas, thereby forging an entirely new perceptual structure.
Solo Exhibitions:2026 Consciousness of the Image, WhiteBox Art Center,Beijing China; 2026 Profound Boredom, Meridian Gallery, Beijing, China;2019 Introverted Illusionism,Magician space,Beijing, China; 2017 The Intermediate Space, Beijing Minsheng Art Museum, Beijing, China;2013 Irony-the Overthrow of Aesthetics, In·ter alia·Art Company, Seoul, South Korea;2012 Secondary Figuration, New Age Gallery, Beijing, China;2007 Whose New Age, Duolun Museum of Modern Art, Shanghai, China;2007 GUAN YONG, New Age Gallery, Beijing, China; 2003 Humor and Classic, Qin Gallery, Beijing, China.
Selected Group Exhibitions: Hauntology:2026 Unfading Realities, Meridian Gallery, Beijing, China; 2022 Veiled: Chinese-Japanese Art Exchange Exhibition, Tokyo Gallery + BTAP, Beijing, China; 2022 Painting: Touching the Pulse of the Times, Artron Art Center, Shenzhen, China; 2015 Bright Eyes of the Universe, Sundaram Tagore Gallery, New York, USA; 2014 10th Anniversary Invitational Exhibition of the China New Painting Award, Hi Art Center, Beijing, China; 2013 The Character of Space, Reality Contemporary Art Research Center, Beijing, China; 2012 Evidence, New Epoch Gallery, Beijing, China; 2011 Redefining the Spirit of Skepticism in "Post-70s" Art, Today Art Museum, Beijing, China; 2011 Splendid Ethics, Interalia Art Company, Seoul, South Korea ; 2010 East/West: Visually Speaking, Jack Wilson Contemporary Art Museum, Florida, USA ; 2010 Youth Upstairs: 2010 Young Critics Nomination Exhibition, Times Art Museum, Beijing, China; 2010 What Is Art? 2010 Annual Artists Invitational Exhibition, Times Art Museum, Beijing, China; 2008 Future Sky: Chinese Contemporary Young Artists Nomination Exhibition, Today Art Museum, Beijing, China; 2008 Guan Yong · Yang Qi, Felix Ringel Gallery, Düsseldorf, Germany; 2007 Pluralistic Generation · Stubborn Opinions, New Epoch Gallery, Beijing/Taiwan, China ; 2006 Transcendental China, Arario Gallery, Beijing, China ; 2005 Self-Constructed Situation: 2005 Chinese Contemporary Painting Exhibition, Zendai Museum of Modern Art, Shanghai, China ; 2005 Post-70s Art, Today Art Museum, Beijing, China ; 2004 Asian Young Artists Exhibition, Sungsan Art Hall, Busan, South Korea ; 2004 Youthful Spirit: China New Painting Exhibition, He Xiangning Art Museum, Shenzhen, China; 2002 The 2nd Pingyao International Photography Festival, Pingyao, Shanxi, China.
Works are collected by domestic and international institutions including Beijing Minsheng Art Museum, He Xiangning Art Museum (Shenzhen), Zendai Art Museum (Shanghai), HSBC, Hong Kong Qiaofu Group, Beijing 798 Culture Group, as well as important private collectors across Europe, Asia, the United States, Australia and other regions.
