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八一特刊·致敬最可爱的人——特邀当代知名艺术家张宏

2024-08-01 10:43 文章来源：人民美术网分享到微信

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【艺术简历】

张宏，自由艺术家、策展人，中国徐悲鸿油画院副秘书长、厦门文化艺术专委会副主任、澳大利亚维州艺术家协会会员。现生活工作与厦门、墨尔本。

张宏先生曾先后求学于厦门大学、北京大学首届博雅艺术高研班、中央社会主义学院，并身兼艺术品收藏家、艺术品鉴定师、艺术品评估师、艺术品经纪人等多重角色。在四十年的艺术生涯中，他不仅发现和推出了众多知名的当代艺术家和艺术作品，更是国内推动艺术品证券化最早的践行者，在海内外赢得了广泛赞誉，并因其在多个艺术领域内的卓越成就和专业眼光，出任中央电视台财经频道（CCTV2）书画人物志艺术总监（2011）、厦门中国台湾艺术研究院院士、美国书画艺术研究院客座教授、澳洲L家族艺术品投资理财顾问等职。在新兴的NFT数字藏品领域，张宏先生于2019年率先推出《孙悟空？元宇宙一号》系列，是以“元宇宙”概念推动传统大漆艺术与数字艺术相结合的探路者和先行者。

《元宇宙第一乐章》175×175cm 2022-2023年材质：油画、丙烯

游心于艺

余之从艺，自临摹陈子奋水墨白描入门，今已三十余载。少时家贫，以装裱为业，曾任厦门大学艺术教育学院书画装裱部主任，浸淫书画。闲喜读书，尤爱名人传记，凡弘一大师、林风眠、黄宾虹、白石、张大千、徐悲鸿、傅抱石、吴冠中等，无所不读，崇其德，慕其艺，每有心得，欣然命笔。又特爱民国吴昌硕、任伯年之画，进而艺史寻踪，上溯海派诸家、京津画派、岭南名家，扬州八怪、四王吴恽、吴门画派，追慕元季四大家及唐宋名迹，并借张彦远之《历代名画记》及历代画史论著，渐悟中国书画之精要。然，最倾慕者，当属近代东西文化交汇大潮中的锐意革新者林风眠，并对他引西润中、开时代新风的壮举，颇以为然，同时，视李可染、吴冠中、赵无极、朱德群、席德进、王肇民、赵春翔等名家为己师，每遇佳作，必细细揣摩，乃于天命之年毅然捉笔，开启艺术创作之新征程，以身在其中的闽南文化为背景，以天马行空的创意为主题，法无定法，唯心所向，将拙、扶、按、点、描等技法与构、境、思、空、谐的意趣统摄结合，无论村落、天境、动物、宇宙尽收笔底，在似与不似之间，放胆涂写胸中意气，神游天地之间，冀将东方水墨之意蕴与西方油彩之雄强融于“一画”，创一元复始之心象；又以异类思维，穿越现实与虚拟，将混沌之宇宙映射于一心，并以艺术之时空性、夸张性和独特性，将梦境与艺境相融，让虚拟与现实交映，通过奇幻的色彩、诡谲的造型、离奇的构画和荒诞的主题，将宇宙时空的视觉信号与《山海经》的上古神篇相结合，开“张宏·元宇宙”之新篇。

从书画装裱到画家推广，再到艺术金融；从中国水墨、漆画，到西洋水彩、油画，再到数字衍生、AI创作；从厦门到北京，从香港到台北，从悉尼到墨尔本……缔结艺缘、拓展艺境，正所谓人生无处不艺术，生活无处不精彩。

张宏

《元宇宙第五乐章》175×175cm 2022-2023年材质：油画、丙烯

Embarking on Art

I embarked on the journey of art by starting with the imitation of Chen Zifan's ink and white sketching. Now it has been more than thirty years. Coming from a poor family in my youth, I engaged in framing as a profession. I once served as the head of the painting and framing department at Xiamen University's School of Art Education, immersed in the world of painting and calligraphy. I enjoy reading in my leisure time, especially biographies of famous figures. I admire and emulate the virtues and artistry of renowned masters such as Hong Yi, Lin Fengmian, Huang Binhong, Bai Shouyi, Zhang Daqian, Xu Beihong, Fu Baoshi, and Wu Guanzhong. I read extensively about the art history, tracing back to the Hai School, Beijing-Tianjin School, famous artists in Lingnan, the Eight Eccentrics of Yangzhou, the Four Wangs, Wu Yun, and the Wu School of Painting. I also delved into the masterpieces of various dynasties, drawing insights from Zhang Yanyuan's "Records of Famous Paintings Through the Dynasties" and other historical works on painting, gradually understanding the essence of Chinese painting and calligraphy. However, the one I admire most is Lin Fengmian, a bold innovator in the convergence of Eastern and Western cultures in modern times. I highly appreciate his efforts to blend Western and Chinese elements and bring about a new era. At the same time, I consider Li Keran, Wu Guanzhong, Zhao Wuji, Zhu Dequn, Xi Dejin, Wang Zhaomin, and Zhao Chunxiang as my mentors. Whenever I encounter excellent works, I meticulously study them. In my later years, I resolutely picked up the brush, embarking on a new journey of artistic creation. Drawing inspiration from the Minnan culture as my background and employing imaginative creativity as my theme, I combine various techniques such as strokes, support, pressure, dots, and sketches with the unity of structure, environment, thoughts, space, and harmony. Whether it's villages, celestial scenes, animals, or the universe, I freely express my inner thoughts between likeness and unlikeness, wandering between heaven and earth. I hope to integrate the essence of Chinese ink and the strength of Western oil paint into one painting, creating a heart symbol of renewal. Moreover, with unconventional thinking, I traverse between reality and virtuality, mapping the chaotic universe onto one's mind. By combining the visual signals of the universe with the ancient divine chapters of "Shan Hai Jing," I usher in a new chapter of "Zhang Hong's Prime Universe."

From framing to promoting artists, and then to art finance; from Chinese ink painting, lacquer painting, to Western watercolor, oil painting, and even digital derivative and AI creation; from Xiamen to Beijing, from Hong Kong to Taipei, from Sydney to Melbourne... Establishing artistic connections and expanding artistic horizons, it is said that life is full of art, and every aspect of life is wonderful.

ZHANG Hong