何多苓近照

摘要：何多苓1982年毕业于四川美术学院研究生班，随后进入成都画院成为专职画家。20世纪70年代末，“伤痕美术”及其之后“乡土美术”的出现，改变了中国美术史的走向，何多苓作为其中的代表，以其敏锐的时代感知和独特的艺术视角，开启了其充满诗意、不断突破的创作历程。纵观其各阶段作品，何多苓始终保持着旺盛的创造力和不妥协的艺术态度，努力在绘画中建构一个理想的世界。本文以何多苓创作历程为轴，以重点作品为“定帧”，结合时代的语境，着重阐述其艺术生发、成长、蜕变的历程。

关键词：诗意表达 图像记忆 理想建构 游离现实

Abstract: After graduated from the graduate class of Sichuan Fine Arts Institute in 1982, He Duoling became a professional painter in Chengdu Art Academy. At the end of 1970s, “scar art” and “folk art” changed the trend of Chinese art history. As one of the artists, He Duoling, with his keen sense of the times and unique artistic perspective, started his own poetic and continuous creative process. Throughout his works at all stages, He Duoling has always maintained exuberant creativity and uncompromising artistic attitude, striving to construct an ideal world in his paintings. This article will take He Duoling’s creative process as the axis, taking key works, and combine the background of the times to focus on expounding the process of his artistic develop ment, growth and transformation.

Keywords: poetic expression; image memory; ideal construction; wandering reality

1978年，中国实行改革开放，这成为当时文化界由百废待兴转向重生的契机，也为之后80年代中国文艺新风潮的到来奠定了基础。文化上宽松的氛围为文艺的繁荣提供了创作的沃土，催生了80年代艺术家蓬勃的创作热情。地处西南的四川美术学院借由“伤痕”与“乡土”之势，开始在全国范围内掀起“四川画派”的热潮。在那个时代的褶皱之处，何多苓以《春风已经苏醒》《青春》《雪雁》等作品崭露头角，向世人展示了一个充满隐秘与疏离感、夹杂着期许和憧憬的精神世界。在何多苓的绘画世界里，我们总能看到他对生活的细微捕捉和微妙的情感表达，每一个细节都流露着拨动他人心弦的情感力量。随着时间的推移，何多苓的作品逐渐融入了中国传统绘画的精神与符号，他开始在传统中国画中寻找与自我绘画相通的“灵”与“气”，以一种更加沉着的、诗意化的艺术语言去找寻中西方艺术精神层面的共鸣。